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5.
What is a “Silver Gelatin” print? Silver Gelatin is
the name given to the emulsion coating on photographic papers used in a
traditional darkroom. It is composed of light-sensitive silver salts that
darken the paper when it is exposed to light. Gelatin silver prints are made
on paper that is pre-coated by photo manufacturers, like Ilford. A coating
of clay, called “Baryta” is applied to the paper and then a silver-halide
emulsion is coated onto that. The two basic photographic paper types
available are graded and variable-contrast (multigrade).
6.
What is graded paper?
Graded
papers generally come in two to five contrast grades, depending on the
manufacturer. The lower numbers (1 & 2) have a softer effect and the higher
numbers (3 – 5) being harder. The contrast grade of the paper is matched to
the contrast scale of the negative.
7.
What is variable-contrast (multigrade) paper?
The
primary difference between graded and variable-contrast papers is that, with
the latter, filters are used to control contrast. It is not necessary to
buy a different box of paper for each contrast grade. The major advantage
that variable-contrast (multigrade) paper offers over graded paper is
control over local contrast. One can apply a low contrast filter to an area
in an image that is lacking in highlight detail. Likewise, a high contrast
filter can be applied to an area lacking in contrast or in shadow that
requires more darkness and depth.
8.
What is the difference between Fibre-Based & Resin-Coated prints?
Graded
and variable-contrast papers are further broken down into fibre-based FB and
resin-coated RC prints. Resin coated papers differ basically from
fibre-based papers in that they have a polyethylene coating, preventing
chemicals from soaking into the paper fibres. Processing, washing, and
drying times are far shorter with RC papers and when they are dry, they are
perfectly flat. Fibre based prints require extensive washing time to remove
all the fixing chemicals from the paper and curl up when initially dry.
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